Cannes Review: Beautiful Youth

The worrying lengths that some young people will go to earn quick and easy cash is investigated with bitter precision in the Spanish drama Beautiful Youth.

Good looking couple Natalia and Carlos are young and in love but lacking in employment prospects and money in modern Spain. Desperate to simply earn a bit of decent currency, the lovers decide to engage in an amateur porn film for the sum of €600. When Natalia falls pregnant, life is about to become even more difficult for the pair as they struggle to provide for their baby while continuing their respective searches for work.

In a world where opportunity is scarce, Natalia and Carlos have low ambitions and a simple desire to scrape a half decent living. The added stress of being parents provides further challenges as both have to live separately with their own mothers and neither can find work that pays as well as their brief stint as amateur porn performers. The trials of being parents begin to form cracks in what was previously a relationship enlivened by the purity of young love.

Shot through with an ugly, grainy realist aesthetic, Beautiful Youth is anything but a beautiful film. While its young stars are aesthetically very easy on the eyes, the locations and the situations are far from pretty. Realism seeps from the screen, aided by a wholly convincing script that details every minor triumph but mostly the difficulties of contemporary youth in Spain. Director Jaime Rosales’ camera peeks around corners and peers at his subjects, giving a strong sense of eavesdropping on the couple’s conversations. While the couple are filmed for their porn audition, the camera captures their every awkward response to highly personal questions and is candid when showing them engaging in intercourse.

But Beautiful Youth is far from being all about the current state of the online sex industry. It is a slow burn character study and in depth examination of the challenges of parenthood. Ingrid Garcia-Jonsson and Carlos Rodriguez convince as the almost carefree lovers whose lives get far more complicated after having a baby. The passing of time is niftily dealt with through having the contents of their phone screens fill the cinema screen. Scrolling through the messages, pictures and videos that are captured on their phones gives a sense of seeing a visual diary of the pair as Natalia goes through pregnancy and Carlos recovers from a unexpected injury. Rosales chooses to use no music throughout the film, and while it often goes unmissed, the moments where we skip through the couple’s phone pictures are strangely silent.

Perhaps director Rosales is commenting on our increasingly mediated world by having large amounts of time taking place only as messages and phone captured pictures. Carlos and Natalia’s decision to experiment in porn comes completely out of the blue and as it is only really one single humorous scene, it sits uneasily with the rest of the film. Though this could be a part of Rosales’ plan to draw comparisons between displaying oneself on social media and going the whole hog and having sex on camera, the tone of their porn audition is at odds with the remaining scenes, particularly the depressing final shot of the film.

There are some wonderfully scripted moments, particularly between Natalia and her mother but overall, Beautiful Youth offers little in the way of insight or originality. Its characters are flawed and perfectly believable with the script and camerawork helping to craft them into completely convincing human beings. However, it is a film that seems to want to say something about the modern online sex industry without giving this concern anywhere near enough attention.

Despite strong performances and a cold, hard wakeup call of an ending, Beautiful Youth sadly meanders and never quite manages to have the impact that it should have.


About the Author


Pete Turner is a Senior Reporter


Posted in Cannes Film Festival, Cannes Reviews 2014, Festivals, Movies, Reviews